The Lord of the Rings Score Analysis Project
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The Return of the King, disc 2, track 4:

The Sacrifice of Faramir

Featuring "The Edge of Night" performed by Billy Boyd

[00:17-01:21] Faramir and Denethor
Although this is not specifically listed in the AS-ROTK as an iteration of the Faramir and Denethor theme, the notation shown in the CR-ROTK liner notes under the discussion of this theme references this scene's music.
[01:21-02:08] The Realm of Gondor (in Decline)
AS-ROTK: Faramir and his troops begin their march out of Minas Tirith in their futile attempt to reclaim Osgiliath. The pan flute returns, again vainly sorting through scraps of Gondor’s theme, trying to reform it. As percussion continues its stride, the harmonic momentum of the strings and chorus subside, each chord freezing, drawing itself reluctantly forwards. Again the pan flute strains to bolster Gondor’s pride, but illustrates little other than the grave of a once proud kingdom—a lineage come to its bitter end. Gandalf pleads with Faramir, but, shamed by his father, Faramir feels he must obey his orders. Magpie: although this is not specifically listed as an iteration of the Faramir and Denethor theme, the notation shown in the CR-ROTK liner notes under the discussion of this theme references this scene's music.
[03:41-03:44] The Realm of Gondor (in Decline)
AS-ROTK: The hobbits’ clarinet enters and reiterates the opening pitches of Pippin’s song—the same perfect fifth that begins Gondor’s theme—in a mournful echo.
[03:57-03:59] The Realm of Gondor (in Decline)
AS-ROTK: Solo fiddle answers the clarinet, likewise lonely and unembellished.

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