The Lord of the Rings Score Analysis Project
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The Two Towers, disc 3, track 13:

The Tales That Really Matter

[00:43-01:28] The Shire (Hymn Setting)
0:43-0:58 = Hymn Chords only; 0:58-1:28 Hymn Chords under A Hobbit's Understanding
[00:58-01:28] A Hobbit's Understanding

[02:10-02:36] The Shire (Hymn Setting)

[03:55-04:03] The Fellowship of the Ring

[05:08-05:21] The Shire (Playful Setting)

[05:22-05:58] The Hobbits' Antics accompaniment

[06:00-06:16] The Shire (Playful Setting)

[06:16-06:20] The Hobbits' Antics accompaniment

[06:23-06:33] The Ents

[08:18-08:21] Gollum's Song

[08:22-09:06] The Pity of Gollum (Sméagol's Theme)
From the Annotated Score: Oboe appears, first presenting four pitches that we will soon come to recognize from "Gollum's Song," then segueing directly into his Pity theme. Strings continue, combining Pity and "Song" fragments as Sam speaks with Gollum, reminding him that Frodo has his best interests at heart. Gollum claims to understand, but the score's instability sends mixed messages."
[09:30-09:47] The Fellowship of the Ring

[09:47-10:16] The Shire (Pensive Setting)

[10:16-10:48] The Shire (Hymn Setting)

[10:50-11:15] Gollum's Menace (Gollum's Theme)
From the Annotated Score: But the third member of their party bears no such warm feelings for his compatriots. Gollum, alone, skulks along the underbrush, trailed by a high dissonant violin line and the low grunt of contrabassoon and basses on Gollum's Menace. "There is a little of the Gollum theme, and a little of Sméagol in here," Shore explains."
[11:16-11:35] The Pity of Gollum (Sméagol's Theme)
From the Annotated Score: Sméagol is no longer free of Gollum, and though the Pity theme tugs imploringly at the strings, an even older theme reminds him of his true allegiance. Once again the Pity theme winds slavishly into the History of the Ring theme, and Gollum's true master takes hold."
[11:21-11:25] The History of the Ring

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